Daniel Weisman (Heinrich) | ACO Debut 2019, Le Nozze di Figaro
As a young tenor and aspiring director, Daniel Weisman has been praised for his versatility as a performer and as a singer, impressing audiences with a “sweet and empathetic tenor” and “impactful gravitas” as an actor. On stage, Mr. Weisman began his career professionally in 2012 as the messenger, Giuseppe, in Jonathan Field’s setting of Verdi’s epic La Traviata while also having the privilege of covering both the roles of Gastone and Alfredo. Prior to the COVID-19 pandemic, Mr. Weisman enjoyed a bountiful career singing as a young artist with the Janiec Opera Company in Brevard, North Carolina, where he sang the role of Daniel Buchanan in Kurt Weill’s Street Scene, a role he had previously covered with the inaugural production of Nightingale Opera Theatre, this time under the direction of Dean Anthony and the baton of Robert Moody, also singing the role of Don Curzio in Le Nozze di Figaro during his time as a young artist.
While finishing his master’s degree at Georgia State University, Mr. Weisman took backstage as the stage diretor for Small Opera Company’s Cosi fan Tutte while preparing to sing the role of The Witch in Carroll Freeman’s production of Hansel and Gretel. Beginning his work as a producer and director, Mr. Weisman has served as the assistant director for Peach State Opera Company in Kurt Zeller’s La Boheme as well as the assistant director for Capitol City Opera Company’s productions of La Traviata, Gianni Schicchi, Buoso’s Ghost, and Roméo et Juliette.
An avid recitalist, Mr. Weisman has produced numerous concerts in and around the Atlanta area, including his Songs of War and Peace, which featured works by Barber, Heggie, Copland, Weill, and more alongside collaborative pianist Mauro Ronca. He served as the co-manager for Atlanta’s chapter of Opera on Tap from 2016-2020 and has appeared as a soloist with the Art Song Collective of Richmond, Kentucky, Newnan, Georgia’s Masterworks Chorale, The Atlanta Boy’s Choir, Georgia Tech Symphony, and many local Atlanta churches in oratorio and concert works from Bartok to Schubert. He made his Carnegie Hall debut in 2022 as the rehearsal cover for tenor soloist in Martini’s Domine, Ad Adjuvandum me Festina and Haydn’s The Heavens are Telling from The Creation.